y'en a peut etre bien UN que que va interresser??
bref, j'ouvre une chaine:
Plant, Vancouver, Canada Oct 1, 1983: 2 cd
excellent-sounding audience show.
10/01/1983 - Vancouver, P.N.E. Coliseum, Canada
CD1:
01 - In The Mood
02 - Pledge Pin
03 - Messin' With The Mekon
04 - Worse Than Detroit
05 - Moonlight In Samosa
06 - Fat Lip
07 - Thru With The Two Step
08 - Other Arms
09 - Horizontal Departure
10 - Wreckless Love
CD2:
01 - Band Introductions
02 - Slow Dancer
03 - Like I've Never Been Gone
04 - Big Log
05 - Burning Down One Side
06 - Stranger Here Than Over There
Originally Recorded by Fred W.
ReMastered by Audioarchivist
Lineage:
Unsure of recorder and mics (maybe Marantz mics) > Fred's cassette master > unsure tapedecks for copying > cassette 1st gen taped on Sony Metal SR 90 > Denon DRM 500 deck for 1gen playback (azimuth adjusted) through Sentrek 12band analog EQ into Soundblaster card in my PC. Digitally ReMastered using Wavelab 4.0 with several 3rd party plugins to carefully sweeten and shape the sound.
Notes:
This is Robert Plant's last show of his North American Tour 1983. After 25 or so shows, the band was reaching and jamming and having fun. Unlike the 'safe' shows recorded for King Biscuit Flower Hour Radio in Texas a week and a half before, this concert shows Robert, Phil, Jezz, Robbie, Bob and Paul taking risks and stretching the songs to their limits. Fred was in row 8 dead center floor. His mics were on either end of his row. Nice stereo
seperation and definition. My 1gen copy was made by me with Fred's stuff, and I think I also adjusted azimuth on the playback deck and copied it flat onto the only sections of blank tape I had - ends of other Robert Plant masters of mine. The digital ReMastering work I did from my copy was minor. I refined some live recording level adjustments Fred had originally done and I had
attempted to fix while making my 1gen tape copy. Further equalization, multiband compression, slight De-Noising, final mix compression, and limiting were used tastefully to attempt to
re-create the original live sound. This is everything that was recorded that night, including the aftershow afterglow where the crowd was walking out when suddenly over the PA came Robert
screaming through the digital delay : "Push Push Push Push! Push Push Push Push Push!" from the climax of Wreckless Love! What a night this must've been. I saw this in Montreal way before I was a taper, and I wish I had seen this show instead! The peak of the tour for sure!